Canfield: Ragtime Sonata after Joplin for Alto Saxophone and Piano Instrument_Flute

Canfield: Ragtime Sonata after Joplin for Alto Saxophone and Piano Instrument_FluteCode: JP4036 ISMN: 979 0 3019 0002 4 Each of the three movements of this sonata for alto saxophone and piano is influenced to a greater or lesser extent by the ragtime form and style. Although unlike some of the composer's compositions in his "after" series (which now include works written in the style of Vierne, Brahms, Gliere and others, mainly for instruments that have little original romantic music), this work isn't necessarily intended to sound

1-movement Romantic work for oboe

piano solo

Ronde villageoise

to include the major scales from the Pares volume and to complete the study of major scales in five to seven sharp and flat keys

they will be introduced to an expanding range (high notes in particular) and all the major and minor keys

Code: JP1107

Code: JP7020

as well as exercises for the chromatic

just as the lyricism in the alto saxophone sonata and "Fisherman of the Fragrant Harbor" reaches full bloom in the tenor saxophone sonata's third movement

Schumann himself played through them with the violinist Ruppert Becker (1830-87) on January 13 and February 13

where he studied piano and accordion

Hedwige Chretien (1859-1944) was appointed to a position as music professor at the Paris Conservatory in 1889