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bridging the gap between traditional documentary photojournalism and more subjective
concentrated macro-illumination
subjective creative expression
showcasing his transition from the dense
It remains a vital resource for those looking to understand how photography evolved from a hobbyist’s craft into a sophisticated fine art
Aperture, Volume 13, Number 4, 1968. Manuel Alvarez Bravo, Henri Cartier-Bresson, John Spence Weir, et al. Signed book bridging the gap between traditionalPortfolios by Manuel Alvarez Bravo, Henri Cartier Bresson, and John Spence Weir. Also Notman, Harry Callahan, Wynn Bullock, exhibitions in Northern California, Che Guevara dead, reviews, etc. Very good with a few spots, crimps, still nice. Not issued with an ISBN number. Summary: The 1968 issue of Aperture (Vol. 13, No. 4) is a masterfully curated edition that examines the intersection of "straight" photography and poetic symbolism. Under the