'BAD CHOICES' Gallery_Featured That period has always stood

That period has always stood out to me—the intensity

where familiar forms return and hold

The work expands upon the recurring third-eye motif

repeated with ease

shaped by the commingling of ideas that stir feeling

'BAD CHOICES' Gallery_Featured That period has always stoodBad Choices began as a meditative exercise. I was listening to music and letting my hand move without much intention. When I stopped and really looked at what was happening on the surface, I wasnt immediately happy with it. Instead of abandoning it, I stayed with the pieceadding, adjusting, responding to what was already there. The painting slowly found its own direction through layering and revision. What emerged surprised me, and by the end, it felt