Mise en abyme theatre one can think of them—and

one can think of them—and the spaces they inhabit—as an ever-evolving ‘double self-portrait’

the non- human and the worlds they inhabit

more She photographed both the organisation of political events

The locations hark back to Japan of the 1980’s

Fashion spreads were just one element in an editorial mix that focused on culture in the broadest sense

Mise en abyme theatre one can think of them—andJan Mammeys Mise en Abyme looks at how a photographer looks. As the title suggests, each picture has a picture within the picture, in fact an image, or several, pinned up in the artists studio and documented again. What is more, Mammey first shots focus on modes of presentation advertising, diagrams, architectural models, picture frames so that subjects nest within subjects. Yet despite the matryoshka doll construction, the originally photographed