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Of the nearly 300 sketchbooks in Turner’s house at the time of his death and now in the care of the Tate Gallery
William Wegman: Paintings with an essay by Rebecca Arnold and introductory texts by Laura Avedon Gabriel Kreuther is the definitiveWilliam Wegmans postcard paintings reflect a lifetime of engagement with narrative, perspective, art history, architecture, popular culture, humor, and philosophy in art. Starting with one or more vintage postcards, Wegman constructs scenes that range from intimate interiors to cosmic vistas, filling audaciously complex spaces with intriguing incident. Collected together, the paintings possess the universal, encyclopedic, and mysterious qualities of