So what is at stake when an exhibition circulates as a digital view
non-fiction by Belfast-born writer
who in 1945 fled Florida for Harlem
she celebrates art as a force of resistance and repair
in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest
2038 biography So what is at stakeToday, in the year 2038, we have mastered the great crises. It was close, but we made it. The global ecological, social and economic disasters of the 2020s brought people, states, institutions and companies together. moreThey committed themselves to fundamental rights and jointly created viable, adaptable systems and legal frameworks on a planetary basis, giving decentralized, local structures the space to maintain and create highly diverse models of