Baldwin James: Nobody Knows My Name sam pulitzerPenguin Classics, 2022, softcover, 224 pages, 19 x 12 cm Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a
Sol Camacho
If a single
but are concealed behind layer upon layer of circumstances and references
Sven Lütticken
Yayoi Kusama
a few miles north of Ramallah
a notebook documenting the doubled history of two bodies amid another historical plague
showcasing those who are pushing trans cinema into the mainstream in the twenty-first century
contributions of lecture
and we are lousy with them
Stedelijk Museum 's-Hertongensosch
336 pages